Musicality questions

When I teach tango, I ask people to let go of the idea of stepping on the beat. Moving with the music is SO much more than being on the beat. Connecting with the music asks you to step outside the box and look at the whole thing that is tango, including the music; but not just the beat.

Flavors of the dance

Each song has it’s own flavor. It is unique—or else why would we have another song? Like ice cream, vanilla is great, but it can only go so far! “What flavor does this song have?” I ask students. Some answer with musical terms (staccato, legato), some answer in less musical ways (stretchy, sharp, smooth), and some have their own, culinary approach: “Lemon curd!” exclaimed my 11-year-old student! “Because you have to stir it slowly, and then it has a sharp taste!”

I think it is more important to explore that “flavor” than to dance on the beat. How YOU express the tango through your interpretation, it always going to be more interesting than thump-thump-thump for three minutes.

Musical choices

“But Elizabeth,” you say, “Do you remember x who can’t dance on the beat and how annoying that is????” Yes, of course I remember. It’s not that I am saying dancing to the beat is not important; it is just much less important than a lot of other elements of dancing. First, you insist your partner dance around for years, stepping on the beat, and then you complain to me that his dance is boring! Let’s look at ways to make our dances more fun!

What can I do with tango music?

  • Tiempo (dancing on the beat)

  • Dobletiempo (double time, like “Quick Quick Slow”)

  • Half time (step, pause, step pause; like the graduation walk)

  • Pausas (pauses, let’s say 1-8 seconds)

  • Slow motion (as slow as you can go/as slow as the music goes)

All of these elements are in all tango songs if you listen for them. Try paying attention to the melody instead of the beat. How does it make you feel? There is no wrong way to interpret the music! YOU are feeling the music and moving to it, so that is YOUR interpretation!

Some songs have more of less of one aspect of what can happen; some songs scream what to do “SLOW! NOW FAST!” and others whisper ideas to you. None of them are just about pounding around on the beat.

Help the song stay alive!

Just stepping on the beat makes the song flatline and die. Any time you explore the other musical options, even for a step or two, returning to dancing “tiempo” (on the beat) suddenly feels exciting! Experiment! Be brave! Play!

I would rather dance with someone trying out the feeling of the dance and failing, than dancing the whole tanda on each beat. One of the best feelings in the world is to dance with someone and find something new in a song I think I know well. They heard something I didn’t, and offered it to me! That is exciting. Even after almost 25 years of tango, there are songs I don’t know well. Even after almost 25 years of tango, I don’t know everything about a song from someone else’s point of view. Sometimes I think, “Wow…that’s int-er-est-ing….” but usually we can work out the musicality between us.

Let the follower have a say in musicality

The follower can make or break a dance. As a follower, I try to stay with the leader, tuned into their intentions and suggestions re: musicality. However, I also adjust the dance to make it as rich as I can. One of my former teachers said it was “inspiring the leader” to do a move. I CAN drop my chi and make the leader do what I want most of the time, but I only use it to give a slight spin to what the leader suggested, unless their suggestion was dangerous. I am playing along, suggesting ideas, following up on the leader’s suggestions—it’s a musical conversation with give and take on both sides.

Most people name adornos as the place where the follower gets their say. To me, the adorno is another place where a conversation is going on. I like having moments where the leader basically says, “What do YOU think?” and gives me room to play; but that can happen on every move of the dance :-)

What do YOU do?

Comment and let me know how YOU let your leader or follower interact with you and the music! I am sure there are tons of great ideas out there.